new tradition is the debut album of alexis tyrel also known as gideon. his album is full of big and small anthem tracks which are highly melodic and full of original sounds and yet great for a broad variety of dancefloors. every track has been produced as if it was a single in its genre, so do not expect any lose ends. with this 40th release on the lessismore label alexis tyrel gives another interpretation of what less is more is, as the label has displayed in its releases so far. new tradition can therefore be seen as the starting point of a new direction already announced by lessismore. this album is a melodic roller coaster taking you all over the place with deep and housy grooves, tribally beats, chordish minimalistic detroit, funky techno, deep progressive and lovely melodies. the arrangements are classic and give a timeless feel to this unique debut album it will be released on cd and vinyl). early plays by:luciano, steve bug, laurent garnier, heiko laux, estroe, mark henning, luigi madonna..

this time, strictly chosen presents peter jd, a new face in on the market comes up with a deep rolling house groove. additional we are very proud to welcome tres in our be_chosen league. the project was founded by frank lorber, bernd maus & eric besier and after their succesful releases on cocoon records and nummer recordings, they are now back with a huge remix on striclty chosen.

no comment is a platform focused on sharing channeled auditive and synaesthetic/ multi sensory perceptions. the concept was conceived to help the energy levels rise towards the transcendence of spacetime, entering the multiverse. the message is in the music, this is your last call. decode to be illuminated!

played & supported by luciano, sis, adam beyer, laurent garnier, pan-pot, agoria, timo maas, maceo plex / maetrik, luca bacchetti, kaiserdisco, gregor tresher, konrad black, kabale und liebe, chris carrier, oxia, joseph caprati, alexi delano, salvatore freda, fabrizio maurizi, martin eyerer, arnaud le texier, danilo vigorito, mihalis safras and more... as he is preparing for the release of his debut full-length album, >tripolarity< (due in june), amam founder and dj/producer alessio mereu offers three new original tracks as a preview. after setting up his own label just over one year ago, he felt the time was right to capture essence of the clubs he has played in, filter them through a spectrum of emotions, and make a personal statement that aims to resonate with both the body and mind. the title >tripolarity< refers to mereus three musical personalities, and with >on the way to tripolarity<, he focuses on his grooving house (and tech-house) tendencies.

new kanada enters the emerging spring season with two cuts of hope and despair. on the a-side, adam marshall drops >vamp< - a 12-minute modal jazz monster that winds its way from a bass heavy dub to an swirling psychedelic quilt of sound. dripping modular sequences for girls in white. on the flip, nk presents a cut from toronto-based matt maaskant. >outside the cave< was recorded in his fathers grain silo in northern ontario and evokes smokey post-club memories. murrs delicate, gorgeous mix-down freezes the track into an example of fragile beauty - complete with fuzz clicks, choir ensemble and a deep 808 kick. burial meets bon iver. we are really feeling this one. music to fall out of love to. limited to 250 copies - clear red vinyl edition.

these are only a few of many excellent appraisals for kasper bjørkes second album >standing on top of utopia< which was released in april last year and followed by strong singles and remixes from the album, most recently >heaven< with mixes by nicolas jaar, muzzle flash and prins thomas. with the >symptoms< ep we are happy to present an ep full of brandnew material. while we wait for kaspers next solo album, currently in production and set for a 2012 release, here is a treat of new and unreleased material for you! other than the rather vocal driven singles >young again<, >alcatraz< or >heaven< these four new instrumentals contain both slow disco vibes and rave style anthems. >symptoms< is a constantly moving, synth driven bastard, that provides a crunchy baseline and a wonderfully strange theme that is hard to get your head around. if this track was a movie, it would be x-rated and only shown after midnight - exactly around the time where you would drop this on the dancefloor and look forward to what happens. - initial pressing in coloured yellow vinyl!

the opening track from the debut simon baker album was always going to be a strong choice to be the first single. no pressure has received unanimous praise since the albums release and is back with new remixes by art department and simon himself. its rare to get great stand out vocal tracks that dont split opinion, but this seems to be one of them. its slick, deep house of the highest calibre with a stand out hooky vocal from debukas. art department, owners of ras number one track of 2010 drop a superb remix, adding new vocals and teasing debukas back into the mix for a pretty special, hypnotic workout. simons >upstate dub< mix finishes things off. it aims things directly at the dancefloor in his signature, deep and twisting style.

come end of may, dancefloors will be overdosing on awesome music. legendary dirty man housemeister will blow out his third mother-l fucking-p >music is awesome< for the wicked, and rave will reign again. but you can’t just stick your face out into this kind of quality noize - it would mini-melt right off, see!? so housemeister took instant classic electro anthem title track >music is awesome< to some players and friends and said >look boys, i m putting out a smaller dose upfront so nobody will die on the dancefloor, now who s gonna help me save some lives?< everybody was in on this ep effort, of course.

danish duo laid back made a most surprising comeback to the clubs in 2010 with >cocaine cool<. not that they had ever been really forgotten: their electro pop classic >white horse< remained a sure shot in clubs for the thirty years after its release 30 years back and a constant inspiration to boatload of diverse artists from techno to hip-hop. >cocaine cool< was recorded at the same session but the ironic vocals ridiculing label executives blowing up their frail ego with the chemical substance were deemed to risquee at that time, so the recording collected dust in some box until last year. bostons >soul clap< another duo hailed as one of the hotest things in clubland known for their eclectic funk-rooted taste. they opt for a cool sparser arrangement leaving out the “white horse -like chords. a loose, dry electro funk beat, hpynotic one-note synth, few dub effects and additional vocoder vocals do the trick bravorously. besides an instrumental version theres also a harder jacking dub take sounding like early chicago house edits. and while the boys are add it they also re-edited another huge one from laid back: >baker man< that managed the unlikely balancing act of not only hitting it bigtime in the charts but also in the emerging balearic scene. this 12 inch is cool in every which way!

when delorean toured with teengirl fantasy last spring they told us about a song that had really blown them away. when they shared it with us we understood why. it was called >cheaters< and sounded like an instant classic. very different to the trademark psychedelic jams of the duo, the song was homage to classic chicago house from a modern perspective. built around layers of blissful synths and borrowing the vocals of first committees >cheaters never win<, it had that kind of energy that we sometimes miss in contemporary dance music. later that summer, john talabot visited new york and became aware that the track was going to be released by true panther sounds only as part of the album >7am<. something sparked inside us. we felt it was not fair that such an incredible track had to share its vinyls grooves with other songs so we thought it would be nice to dedicate a full maxi side to it.

bullion announces his new single >magic was ruler<, for vinyl only release on 25th may 2011, featuring 3 full length version of track from his non-lp >you drive me to plastic< and one exclusive new composition. the title track is a sample-based tapestry, rich in jangly guitar chops and pert horns, it dances along with the merriment of a tropical beguine. >magic was ruler< is a crate-diggers journey to encompass all manner of musical styles from krautrock, leftfield disco, all the way through to afro inspired 70s electronics, and continuing on from 2009s >young heartache ep< (one handed records). the searching, syncopated track >you drive me to plastic< has all the dynamic of the non-lp with which it shares its name and new track >good news on her< has the pulsating verve of shep pettibone-era ny house, whilst packing bullions signature hip hop punch. >too right< completes the set, supported by benji b and gilles peterson in the uk.
single sided pressing with etching on the flip.

for their new release, >with our heads in the clouds and our hearts in the fields<, these two have somehow gone back in time to capture the sound of glacial moving, dark cough syrup pop music. mr. wiltzie has manipulated his trademark stars of the lid sound of haunting ambience, deconstructing, and funneling it through the beautiful voice, and song compositions of chantal acda. together, sleepingdog have gently abducted these gaseous tones, and choruses of pacific tree frogs into some beautifully crafted melancholic orchestration that reminds us all that we exist in a world of strangers, drifting only two feet apart. >with our heads in the clouds and our hearts in the fields< is sleepingdogs third album after >naked in a clean bed< (zeal - 2006) and the critically acclaimed >polar life< (gizeh/zeal - 2008).
comes on clear / translucent vinyl, including code for free digital download.

i just woke and its pretty cold outside. i havent opened the window yet, but i somehow know it and im listening to these six tracks again and try to make an approximation of why and how i have done this ep. they are pretty different from each other but tell the same story or at least are part of the same one as a matter of fact. maybe they were done as an excuse for my overdue album which is scheduled again for this year or maybe just because i was going through some odd times and needed to immerse myself in doing something. in this case music. more the latter i guess. ok so, the opening track is in a way the end of an era and the last one the opening of a fresher one. and the rest fills in the gaps in between those two moments i guess. i hate conceptual things anyways. i never know or want to know why i do certain things. concepts define something before it already begins its existence and trying to explain why is pretty useless. so here it is. the recording of a certain period of time in my tiny existence. with collaborations with jaw (dop), my brother atilla, who is also responsible for the artwork, and jonny cruz. by the time its out itll be a distant memory for me but hope it lasts a bit longer for anyone that listens to it

time 2 express is on a roll! sqeezing out harsh yet hypnotic techno of the highest order. the 4th instalment in the 61 center returning series is an all belgo-italian affair. as on vol. 3 the a side is taken up by peter van hoesen and donato dozzy. with >dock< they present a dense, psychedelic track: bubbling percussion works its way through swirls of oscillating soundscapes. >dock< envelops the listener in a thick, gentle blanket, slowly increasing the pressure as the track unfolds over 9 minutes. on the b-side stroboscopic artefacts main brain lucy reports for remix duty. >defense against the self> was originally released on peter van hoesens >entropic city< album. lucy provides the track with a solid dose of steroids, injecting cavernous kicks and bleeps. his version widens the impact of the original, while adding his very own personal take on techno. viva italia...

alex kork, founder of 9volt presents 4 great minimal-techno tracks on plattenbau-music. alex also released on relax. he did his first steps producing electronic music already in his youth. experiments with self-made oscillators, noise generators, synthesizers and sequencers he was always in searching for new sounds. as techno found the way in his hometown in the early 90s he was flashed by the new sound. as hydro he played on a lot of events and also he organised own parties. since founding the cannibal cooking club together with error in 1999 they play as liveact in the clubs. the own label for their crazy and unique sound was born in 2003. his label 9volt-musik was founded in 2006. focussed on the sound he likes, its a platform for his own productions and friends.

this is the 4th and final release from our shake shakir re-issue series. three total corkers from the don!!! features an exclusive track, the other one.... tip! >the floor filler< is exactly as the title says. this disco frenzied track was originally released in 1997 as part of club scam ii. the track is still a valid club tool and will fill a floor for sure! >plugged in< is also taken from the same ep and reminds of carl craigs paperclip people tracks of that era. disco meets techno! on the flip we find >the other one< which is a track from the vault and has never before been released. detroit house doesnt come any better than this...

brand new album - a hell-raising, rebel-rousing rock n roll statement if ever there was one!

>3rd album< by shocking blue is strangely enough not their third full-length album but their fourth and was originally released in 1971. this reissue comes with six bonus tracks consisting of singles and b-sides on 180 grams audiophile vinyl in gatefold sleeve.

figure pushes forward with a stunning 4 track ep from aspiring new french artist leghau, aka cedric rebagliato. he gave the tracks to len faki after a memorable gig in france, and len was so impressed he decided to put the record into production with a matter of urgency! leghaus sound is heavy, rumbling, precise and directly designed for club systems.

dualton first came to the attention of the electronic dance music community back in 2008 when john digweed spotted their potential and included them on his bedrock 10 compilation. the original mix of formula was released last year to widespread critical acclaim, and now gets paired with a remix by cadenza regular reboot to take the release to the next level. in typical reboot style, the outcome is darkly twisted as it is infectiously danceable, and expertly blends house and techno production values to devastating effect.

special holographic artwork, 180 gr limited vinyl. we are happy to present you the follow-up to the very successful distant shores release from last november, which was played by everyone from pete tong over sven väth to françois k.

al kent was once described as scotlands walter gibbons, and on >fantasy< he pays tribute to his hero with an alternative take on a track walter made his own. with beautiful rhodes piano, sweet strings and heavenly jazz guitar, file under >lush<. flip over for some disco madness… >check out the sounds of nyc< may once have been a loft classic, but in this incarnation may have proved too much for that particular musical journey. tough as old boots. wrapping up we have >gimme some loving< – built around a cool piano hook and an instantly recognisable voice and featuring some proper hands in the air string sections. million dollar disco is loved by dimitri from paris, pat les stache, solid state, cosmic boogie, greg wilson, peter adarkwah, the dead rose music company, horse meat disco, nik weston, chris harris and many many more..

and the story goes like this: skipson (also known as knarf skipson in the past) was recording the >ks editspot pt.1<, which is based on samples from a rob mello track. as skipson is a nice fella, he sent the final version to rob. and as rob is a nice fella too, he liked it, sent one of his tracks back and this project was born. thats the easy way of sample clearing! this 10inch is about house music, as simple as that! groovy beats and fat basslines, rough and ready. limited to 500 copies - enjoy!

welcome reissue of this super-rare 1978 disco classic from greek singing superstar demis roussos. the extended mix of l.o.v.e. got a hold of me featured on this highly-collectable canadian 12 inch pressing from mercury was a massive favourite of david mancusos at his legendary loft parties and understandably so. a tight percussive groove topped with beautiful swirling strings and the big mans soaring sexy vocals, this special long version provides ten minutes of blissful dubbed-out disco heaven which still rocks dancefloors today for any dj lucky enough to have a copy. the flip is also rather good, with i just live, a very useful funky workout with another positive message that includes some fantastic percussion and great harmonica action. top class!

dials sublabel laid comes up again with a double feature for true house music lovers. catalogue number 11 features tracks by uks juergen junker and our wellknown buddy lowtec. after playing together at the legendary sud electronic/ uzuri parties in london efdemin, lawrence and carsten jost fell deeply in love with with juergen junkers amazing dj & live sets and his wonderful productions. his own label neurythmics was like a secret treasure to be explored. followed by a lovely release on efdemins naif imprint he now enteres the laid zone with two deeply rooted house pieces. lowtec has always been a main influence of the dial/laid family and after his huge underground hit of last years workshop ep (laid07 with kassem mosse) he presents a dirty rhodes stomper to hit the house floors again. freaky alert!

>this is my truth tell me yours< is the fifth album by manic street preachers, originally released in 1998.
it features the singles >the everlasting<, >you stole the sun from my heart<, >tsunami< and >if you tolerate this your children will be next<.the latter was their first single to debut at #1 on the uk singles chart. on top of this, the album won best british album at the 1999 brit awards.

strong follow-up single by swedish newcomer sivesgaard (his debut in co-operation with noir on parquet rec. was back in 2009), incl. massive remix package! while ricardo tobar (traum / border community) turns the original in a huge rave-monster, oliver schories again shows his unmatchable feeling for melodic & groovy tech-house. grab it!

maetriks cocoon debut >snorkel< on the 7th edition of the 10 inch series belongs without doubt to the most successful tracks of the past year and is an essential track in the clubs since then, thanks to its matchless mixture of powerful deep house and noise. eric estornel aka maetrik is, however, definitely not a newcomer. with a large number of releases on such prestigious labels from the likes of treibstoff from cologne, dumb unit and steve bugs audiomatique platform, the texan-born and now resident of valencia has proven to be one of the most reliable protagonists at the interface between straight dark house, dub and funky techno. estornels aim was to stick to this recipe when he made his his first cocoon solo maxi: >crush on me< and >push< are two absolute masterpieces and are representative for estornels unique style, using hallucinogenic vocals, hypnotic beats and a power that is deep and latently noisy at the same time to put the dancefloor over the edge of insanity. with his third album >life index<, released on the london-based label crosstown rebels, and with other releases on guy gerbers supplement facts platform and on get physical, this spring seems to be totally under estornels sign

the winter saga continues… this being the second release on art of vengeance, aril takes yet another turn in style, or rather back to the sound of the winter ep that was released on kompakt in 2007. the title track is is a journy in melodies built in layers, trying to fit as much melodies in one track without going over the line. maybe it is over the line? tundra is a bit more on the rough side but with arps and chords coming in and out while glacär/for minou strips things down a bit to a more bassier and warmer sound with string/chords, less melodies and more groove

another pure remix 12 inch on falkplatz. mild pitchs dplay and irishman mano le tough took over the studio this time to create their interpretations of >i wont stop<, the track by subbroomassociation that was originally released on the >collabs volume one ep< on falkplatz_daten002. dplay concentrates on the vocals and distinctive hat patterns, building a warm, pushing and dark floorfiller around the original theme. mano le tough delivers a stand-out remix, in a slightly different mode to his past productions on dirt crew or mirau. here he pushes into the deeper layers of emotive housemusic. listen loud and have fun with this!

after the emotive release of rick howard, its time for hhyr to step it up a notch again with fellow chicagoian ricardo miranda, who already gave us >black acid< last year and also was featured on rick wilhites >vibes< compilation. <br (/>>floorwax< urges us to do the damn thing, assuming that he leaves us no choice but to slam dance to this hypnotic acid work out, which reminds us slighly of earlier dj funk material. >redline< further explores the boundaries of acid house originale. it starts out with just drums and a pulsating acid line, but halfway through a utopian string line eases in and shows us the way to the promised land. keep your heads up and dance to the music.
classic chicago house!

morphosis has been cooking. friends, nwaq & just for one day got on the re-whisk. these productions live up to all expectations from two of the most awe inspiring out there. turn them up. big tip! when this idea came about, there was some speculation here if it was a going to be plausible prospect. throughout all the deliberation one fact remained: re-workings from these artists would make the perfect precursor 12” to a full morphosis album, and it just had to happen. then it did. nwaq turns in one hell of a dub! an almost relentless 7.5 minute float, that’s underpinned with thriftily placed percussion, and a true beast of a kick drum. no build-ups. no break-downs. so, now… let’s all bow towards to the master. just for one day’s rudeboy drum palette is going to be familiar to more than a few people. let’s just say that this is the new guise of a veteran german producer who’s uncompromising music has graced some of the world’s most exciting record labels over the past 15 years. for this remix he hijacks the ‘android’s among us’ and throws them right into a sound system shootout somehow leaving the core elements from the original track in tact. seriously killer. for fans of 2 step, jungle & dr who(?). please note: this will be a vinyl only affair.

vinyl only release (includes cd), 180g vinyl, 350g colour sleeve and full colour inner sleeve. limited to 300 copies worldwide.
infine welcomes to the family this new version of the soundtrack to the film >la sangre iluminada<. initially composed and re-edited for the occasion by murcof, this vinyl-exclusive lp was mastered by another sound sorcerer, rashad becker, from dubplate mastering studios.

nich premium edition 12inch come with maxicd big with markus kavka, dubfire, aki bergen, andre kronert, feygin, sebastian roya, secret cinema, pierce, moodymanc and many more.
dont miss the next long awaited vinyl on night drive music. this time we gave the black gold to hypnos. hypnos (deepology, urbantorque, myhouse, box music) presents now his 2nd release on night drive music. he graduated from music school in guitar, and played keyboards in a rock band for a few years. he was member of the infamous >demoscene< in poland - an unofficial and underground group of like-minded people mixing music with street graphics. the original is a never ending dream between sweet deepness and techy elements. its hard to describe the tune. just listen please! remixes are coming from pawas, subsky and stefan mallmann.

geno records first release comes to you from belgium based dan d. dan comes from a traditional of both classical and jazz traditions. dan also developed a love of latin dance in his youth. once moving to berlin in 2001, dan was further influenced by the house sounds of the original panorama bar. dan himself has continued on to dj some of berlins best parties/venues including beatstreet, watergate, arena, maria, and the new panorama bar. club der visionäre has also been very important to dans musical growth. dan has had the opportunity to cut his teeth playing 10 hour marathon sets during his regular appearances since 2004. furthermore, he appeared in clubs like rote sonne (munich) and decadance (gent, belgium). friends like tobi neumann and dinky got him into production in 2003. dans first vinyl release on district of corruption lead to praise from some of the best djs in the business. the african market is quite an evolved sophomoric release for dan. the title track, african market, is a pulsating but stripped down organic percussive journey. afro-cuban rhythms lovingly exchange energy with warm analog synths and crisp techno electronic beats. the flip side, el baile, is a slow burning house jam. el baile features eerily reverberated studio recorded vuvuzela, crisply saturated jazz keys, and the same pumping afro-cuban rhythms that sets dans sound apart from others.

new cat on the astro lab camp, timothy j fairplay from the battant band, after good releases on kill the dj, andrew weatheralls rotters golf club, live at robert johnson tim gave us couple of great tracks with his best carpenter mood, it was so hard to choose, we took 3 of them and asked our favourite producer mr andrew weatherall to remix one, he turn the sleigh ride/blizzard into this slow techno atmosphere. on the b side astro lab zntn remixed >general arrived< and turned the original into an amazing dancefloor tune, something close to the optimos works.

rush hour recordings proudly presents a series of limited edition releases. previously limited released records and previously unreleased music make up this series. they come hand numbered with silkscreen printed sleeve artwork, which gives each release an unique feel. only 150 of each release. one time press only.
this electronic disco funk bomb was only ever released in japan, as part of a label compilation. at the time of release, some years back, we only had a handful in the store to sell outside japan. this time round we have a 150 to spare.

top quality limited reissue of the mega-rare promo-only 12 inch release of >walk the night< by 70s disco band skatt bros., a super phat slice of some of the sleaziest disco filth ever put on wax. this dancefloor bomb was an underground anthem in the clubs of chicago, detroit and new york and also found favour with cosmic djs like baldelli & beppe loda. produced by in gunther and will morrison of thp orchestra fame, this indemand cut sounds fresher than ever and features highly on many dj s wants lists changing hand for big bucks. essential!

here at bearfunk hq we firmly believe in perseverance. we keep asking questions until we get the right answer and with 6ft bear by our side the answer is usually yes. we kept asking ilija rudman to get in the studio and write us a killer lp but being the busy bee that he is it was hard for him to take the time out. we kept asking until he eventually caved in and went underground to record his first lp, >the reveal<. ilija is a devoted and passionate man when it comes to music. one of his prerequisites for recording an lp was that the recordings had to be made with the same techniques and equipment that inspired him to make music in the first place. so ilija hooked up with one of his studio mentors and got his dream line-up of synthesizers, roland jupiter 4 & 8, minimoog, roland sh2, juno 60 and his dream drum machines linn and oberheim dmx. these analogue machines fire up to create a warm and authentic vibe across the whole lp. we are reminded here that machines do have soul if used properly. we start proceedings with the wigged out boogie of >inspectors drive< which might be a little nod in the direction of wally badarous classic chief in< have all the ingredients of dj friendly hits. the lp reveals all the influences that ilija has experienced and it shows the talent that runs inside him as he is able to make such an amazingly retro lp sound like something from the future. we are sure in years to come this lp could become as important as the influences that inspired mr. rudman to make it.

adam shelton & subb-an have single handedly made birmingham cool over the last few years with their infamous below gigs at the rainbow. >feel so real< reflects the duos work at its height. it is a classic sounding house record with familiar vocal hooks, warm chords and throbbing drums. it stands out from the crowd in much the same way fcls >lets go< did last year. is it old or is it new? old school sensibilities brought right up to date with cutting edge production skills. so it was with this thought in mind that we approached new 2020 signings fcl to remix. they have added their own vocals and developed the hook into a synth heavy workout. the pack comes complete with another track >inside my head< which features a line many will remember from nights spent at warehouse raves, one for the spotters.

>now about how< is an album that fuses diverse styles, tipping its cap to a world of sounds absorbed over the course of a lifetime. it is the sound of fudges childhood spent learning from his record loving family about the many wonders of 20th century recorded music, filtered through the classic house and techno template which was the soundtrack to his formative years. fudge fingas is a man very much immersed in his music. as well as producing he manages edinburghs best dance music record shop >underground solu shn< whilst also lending his musicianship to tracks by other artists on prime numbers such as linkwood & trus me.

atas volume of the >life at robert johnson< mix-cd series wouldnt be complete with out a 12-inch. here you get two of the most extraordinary songs and mysterious corkers of his outstanding compilation. ramonaäs main man picked grauzone with >raum< and zwischenfalls >flucht< for this special plate. as this wouldnt be a treat in itself already, ata extended the pop arrangement of >raum< into an almost 8 minute long powerful ballroom blitz edit for all you new wavers and old romantics. always remember: the future was already yesterday, but the good times are always now

after last years superlongevity box-set madness, perlon welcomes 2011 with a 3-tracker by mister san proper. on this one, the amsterdam based musician not only introduces >a cat called mice< besides offering to >cut yo hair<. san also managed to discover the epic >lost track of time<, a song that was lost for more than 800 years,……uff & wow!

m=minmal continues the collaboration with electronic music legend conrad schnitzler. we are happy, after 30 years, to re-release one of the key works from conrads large adventurous backcatalog. >ballet statique< is not only a musical milestone but also a highlight of music production. it was recorded in 1978 at the legendary paragon studio / berlin by peter baumann - tangerine dream in the same period when other masterworks like cluster - >großes wasser< and solo recordings of roedelius and asmus tietchens were recorded. >ballet statique< was first released on the legendary french label egg. this albums is a must have not only for fans of the emeralds and oneohtrix point never.

>sis surpriz< is the third in debruits trilogy of eps which began with futuristic electro hip-hop workout >lets post funk< featuring jamie woon and ommas keith, and was followed by 2010s african highlife inspired spatio temporel. the trio of releases all feature 3-d artwork by german designer rainbowmonkey, and 3-d glasses are also included for your viewing pleasure. debruit is currently crafting a debut album based around trips to west africa and recordings with the regions indigenous musicians and traditional instruments. debruit has also been honing his live show which now incorporates a three-piece band, thumb pianos, african drums, highlife guitar, talk box and more, all accompanied by live visuals from rainbowmonkey. the new and improved live experience will be unveiled at the dates below and debruits album is due out later this year.

to put it in a nutshell, in just two years, selah sue has fulfilled her dreams. to keep her grounded, she has insisted on keeping the songs she wrote during her teens for her debut album. its a way of reminding the world that she has not been unfairly spoiled by destiny and that before prince, cee-lo green, radio play and incredible press, there was just a teenage girl, with her guitar, who was chosen spontaneously by fans on the net.

act re act: daaaaark is the typical expression used to define act re act. uplfting synths, spastic latin percussion, and a pummeling 808 bring some light for the harder moments.
ms. minnie: kitty ms. minnie, age 39, was caught saturday evening sneaking a 909 into the club and having her way with the hi-hats. she ripped it up in honor of larry heard before being forcefully removed by security. the whereabouts of said 909 are unknown.
the origin: a minimal bit of italo kit shoved through the hatch of a nasa shuttle (it was recorded in houston, tx after-all) and sent around several moons of several planets. what was discovered is only now being made available for public consumption.

while cultivating a reputation as one of las most exciting dj duos at parties like the legendary do-over and dam funks funkmophere, cosmic kids started working in the studio, completing remixes for friends like harvard bass. but it was their first original tune that landed them on throne of blood, backed by absolutely tremendous remixes from dear friends juan maclean, classixx and labelmates bicep.